{"id":427,"date":"2010-02-20T15:11:53","date_gmt":"2010-02-20T15:11:53","guid":{"rendered":"http:\/\/www.phuturama.de\/?p=427"},"modified":"2011-06-08T18:05:05","modified_gmt":"2011-06-08T18:05:05","slug":"white-noise-%e2%80%93%c2%a0and-beyond-the-inifinite","status":"publish","type":"post","link":"http:\/\/www.phuturama.de\/?p=427","title":{"rendered":"&#8220;White Noise \u2013\u00a0and Beyond the Infinite!&#8221;"},"content":{"rendered":"<p><strong> <\/strong><\/p>\n<div id=\"attachment_429\" style=\"width: 479px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.phuturama.de\/wp-content\/uploads\/2010\/02\/White_Noise.png\"><img aria-describedby=\"caption-attachment-429\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-429\" title=\"White_Noise\" src=\"http:\/\/www.phuturama.de\/wp-content\/uploads\/2010\/02\/White_Noise.png\" alt=\"\" width=\"469\" height=\"687\" srcset=\"http:\/\/www.phuturama.de\/wp-content\/uploads\/2010\/02\/White_Noise.png 469w, http:\/\/www.phuturama.de\/wp-content\/uploads\/2010\/02\/White_Noise-204x300.png 204w\" sizes=\"(max-width: 469px) 100vw, 469px\" \/><\/a><p id=\"caption-attachment-429\" class=\"wp-caption-text\">To Infinity \u2013 and Beyond! Buzz Lightyear abused my iPhone to post this pic of \u017dilvinas Kempinas&#39; &#39;White Noise&#39;<\/p><\/div>\n<p><strong>The transmediale.10 exhibition <em>Future Obscura<\/em><\/strong><strong> <a href=\"ttp:\/\/www.transmediale.de\/en\/node\/10668\" target=\"_blank\">[1] <\/a>\u2013\u00a0curated by Honor Hager \u2013\u00a0 presented artworks that use the materials, mechanisms and machines of image-making to illuminate and define our relationship with atemporality \u2013 the collision of past, present and future.<\/strong><\/p>\n<p>One of my favorites artworks in this exhibition was a quite simple, but aesthetically very effective installation by \u017dilvinas Kempinas, born 1969 in Lithuania who lives and works now in New York. <a href=\"http:\/\/en.wikipedia.org\/wiki\/\u017dilvinas_Kempinas\" target=\"_blank\">[2]<\/a> He uses unspooled videotape and electric fans to conjure transfixing visual conundrums such as <em>Flying Tape<\/em> (2004), which levitated a room-size loop of video tape on the air currents from a circle of fans; and <em>White Noise<\/em> (2007), which recreated a monumental kinetic screen of &#8220;wei\u00dfem Rauschen&#8221; \u00a0on the gallery wall. <a href=\"http:\/\/www.transmediale.de\/en\/white-noise\" target=\"_blank\">[3]<\/a><\/p>\n<p>In the FUTURITY NOW! context it is the work&#8217;s stunning force of attraction \u2013 cleverly arranged as the single work in a separate room at the HKW \u2013 that appealed to me the most\u00a0 and lured me to getting absorbed by the infinitely buzzing environment.<\/p>\n<p>Quite similar to Dr. David Bowman&#8217;s voyage through the <em>2001 \u2013\u00a0A Space Odysse&#8217;s &#8220;<\/em>Star Gate&#8221; you are encountering the vertigo of the racing at great speed across vast distances of space aware to dive into eternity. It&#8217;s my second personal reminiscence <a href=\"http:\/\/www.phuturama.de\/?p=313\" target=\"_self\">[4]<\/a> to Stanley Kubrick&#8217;s groundbreaking moving picture in the transmediale.10 context and it says\u00a0 a lot\u00a0 about <em>Future Obscura&#8217;s<\/em> definition of atemporality: 2001 defined an image of the future which won&#8217;t disappear into the white noise.<\/p>\n<p><a href=\"ttp:\/\/www.transmediale.de\/en\/node\/10668\" target=\"_blank\">[1] transmediale.10 Exhibition <\/a><em><a href=\"ttp:\/\/www.transmediale.de\/en\/node\/10668\" target=\"_blank\">Future Obcura<br \/>\n<\/a><span style=\"font-style: normal;\"><a href=\"http:\/\/en.wikipedia.org\/wiki\/\u017dilvinas_Kempinas\" target=\"_blank\">[2] Wikipeda on \u017dilvinas Kempinas<br \/>\n<\/a><a href=\"http:\/\/www.transmediale.de\/en\/white-noise\" target=\"_blank\">[3] transmediale.10 Installation <em>White Noise<\/em><\/a><br \/>\n<a href=\"http:\/\/www.phuturama.de\/?p=313\" target=\"_self\">[4[ PHUTURAMA post on F\u00e9lix Luque S\u00e1nchez\u2019\u00a0<em>Chapter I \u2013\u00a0The Discovery<\/em><\/a><\/span><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The transmediale.10 exhibition Future Obscura [1] \u2013\u00a0curated by Honor Hager \u2013\u00a0 presented artworks that use the materials, mechanisms and machines of image-making to illuminate and define our relationship with atemporality \u2013 the collision of past, present and future. One of my favorites artworks in this exhibition was a quite simple, but aesthetically very effective installation [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9,13,4],"tags":[],"_links":{"self":[{"href":"http:\/\/www.phuturama.de\/index.php?rest_route=\/wp\/v2\/posts\/427"}],"collection":[{"href":"http:\/\/www.phuturama.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.phuturama.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.phuturama.de\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/www.phuturama.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=427"}],"version-history":[{"count":9,"href":"http:\/\/www.phuturama.de\/index.php?rest_route=\/wp\/v2\/posts\/427\/revisions"}],"predecessor-version":[{"id":610,"href":"http:\/\/www.phuturama.de\/index.php?rest_route=\/wp\/v2\/posts\/427\/revisions\/610"}],"wp:attachment":[{"href":"http:\/\/www.phuturama.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=427"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.phuturama.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=427"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.phuturama.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=427"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}