{"id":313,"date":"2010-02-11T16:15:13","date_gmt":"2010-02-11T16:15:13","guid":{"rendered":"http:\/\/www.phuturama.de\/?p=313"},"modified":"2014-08-19T13:38:59","modified_gmt":"2014-08-19T13:38:59","slug":"a-platonic-solid-meets-kubrick","status":"publish","type":"post","link":"http:\/\/www.phuturama.de\/?p=313","title":{"rendered":"2010 \u2013 A Platonic Solid Meets \u00bbKuBrick\u00ab at Transmediale"},"content":{"rendered":"<div id=\"attachment_315\" style=\"width: 479px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.phuturama.de\/wp-content\/uploads\/2010\/02\/Dodecahedron.png\"><img aria-describedby=\"caption-attachment-315\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-315\" title=\"Dodecahedron\" src=\"http:\/\/www.phuturama.de\/wp-content\/uploads\/2010\/02\/Dodecahedron.png\" alt=\"\" width=\"469\" height=\"376\" srcset=\"http:\/\/www.phuturama.de\/wp-content\/uploads\/2010\/02\/Dodecahedron.png 469w, http:\/\/www.phuturama.de\/wp-content\/uploads\/2010\/02\/Dodecahedron-300x240.png 300w\" sizes=\"(max-width: 469px) 100vw, 469px\" \/><\/a><p id=\"caption-attachment-315\" class=\"wp-caption-text\">In our mental 2010 movie, this time the earthlings could have pampered the alien entity from beyond (courtesy Other Sounds)<\/p><\/div>\n<p><strong><em>2010 \u2013 The Year We Make<\/em><\/strong><strong> <\/strong><em><strong>Contact<\/strong><\/em><strong> by Peter Hyams <\/strong>w<strong>as the 1984 sequel to Stanley Kubrick&#8217;s groundbreaking <em>2001: A Space Odyssee<\/em><em><span style=\"font-weight: normal;\"> <\/span><\/em><\/strong><strong>\u2013 both movies based on novels by British writer Arthur C. Clarke<\/strong> <strong>\u2013, but it was an epic fail and an inexcusable offense against any audience attracted to a further exploitation of the by then and till now peerless as well as untouchable <em>monolith<\/em> of science fiction cinema. <\/strong><\/p>\n<p>But now there is a new hope for Berlin: 2010 is the year, we make contact with the condign successor of the mysterious black &#8220;KuBrick&#8221; \u2013 which seems meanwhile to be regarded as the cinematographic set design&#8217;s equivalent to Malevich&#8217;s\u00a0<em>Black Square<\/em>. <a href=\"http:\/\/en.wikipedia.org\/wiki\/File:Malevich.black-square.jpg\" target=\"_blank\">[1]<\/a><\/p>\n<p>Its shape aims to be one of the five Platonic solids, the <em>Dodecahedron<\/em>, it is black as well, but it is communicating with us not only by sound, yet by his light emitting edges. It&#8217;s this year&#8217;s transmediale.10 Award nominee F\u00e9lix Luque S\u00e1nchez&#8217; <em>Chapter I \u2013\u00a0The Discovery<\/em>. <a href=\"http:\/\/chapter1.othersounds.net\/#48487\/About-Chapter-I-The-Discovery\" target=\"_blank\">[2]<\/a><\/p>\n<p>More then the sheer object on display at the Instituto Cervantes Berlin during transmediale.10 <a href=\"http:\/\/www.transmediale.de\/en\/chapter-i-discovery\" target=\"_blank\">[3]<\/a>, there are the few, but distinguished video sequences that loop the fictitious discovery of the dodecahedronic anomaly in strange, but beautifully sorted environments. The video stills of S\u00e1nchez&#8217;  footage \u2013\u00a0with support of I\u00f1igo Bilbao (3D videos) and Nicol\u00e1s Torres (video camera) provide the impact of the forever missing 2010 movie Stanley Kubrick never wanted or dared to realise and we all dream of like the <em>Star Child<\/em> in the final sequence of the original Space Odyssee.<\/p>\n<p><a href=\"http:\/\/en.wikipedia.org\/wiki\/File:Malevich.black-square.jpg\" target=\"_blank\">[1] Wikipedia image of Kasimir Malevich&#8217;s <em>Black Square<\/em><\/a><br \/>\n<a href=\"http:\/\/chapter1.othersounds.net\/#48487\/About-Chapter-I-The-Discovery\" target=\"_blank\">[2] F\u00e9lix Luque S\u00e1nchez&#8217; Website <em>Other Sounds<\/em><\/a><br \/>\n<a href=\"http:\/\/www.transmediale.de\/en\/chapter-i-discovery\" target=\"_blank\">[3] transmediale.10 Award Nominee <em>Chapter I \u2013\u00a0The Discovery<\/em><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>2010 \u2013 The Year We Make Contact by Peter Hyams was the 1984 sequel to Stanley Kubrick&#8217;s groundbreaking 2001: A Space Odyssee \u2013 both movies based on novels by British writer Arthur C. Clarke \u2013, but it was an epic fail and an inexcusable offense against any audience attracted to a further exploitation of the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9,13,4],"tags":[],"_links":{"self":[{"href":"http:\/\/www.phuturama.de\/index.php?rest_route=\/wp\/v2\/posts\/313"}],"collection":[{"href":"http:\/\/www.phuturama.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.phuturama.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.phuturama.de\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/www.phuturama.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=313"}],"version-history":[{"count":11,"href":"http:\/\/www.phuturama.de\/index.php?rest_route=\/wp\/v2\/posts\/313\/revisions"}],"predecessor-version":[{"id":2344,"href":"http:\/\/www.phuturama.de\/index.php?rest_route=\/wp\/v2\/posts\/313\/revisions\/2344"}],"wp:attachment":[{"href":"http:\/\/www.phuturama.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=313"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.phuturama.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=313"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.phuturama.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}